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OVID was a Latin poet who flourished in Rome in the late C1st B.C. And early C1st A.D., during the reign of the Emperor Augustus. His most celebrated work is the Metamorphoses, a poem in 15 books recounting stories from Greek and Roman myth. His two other myth-themed works were the Fasti and the Heroides.Ovid. Translated by More, Brookes. Boston, Cornhill Publishing Co.
1922.This volume is no longer in print, but second-hand copies may sometimes become available through Amazon.com resellers. However there are many more recent translations of Ovid's work (see list left below).NOTE: I have quoted from the A.D Melville translation of Ovid's Metamorphoses on the biography pages of Theoi.com. METAMORPHOSES CONTENTS. Four Ages of Man.
Great Deluge. Daphne & Apollo. Io & Jupiter. Callisto & Jupiter. Coronis & Apollo. Ocyroe & Aesculapius. Battus & Mercury.
Aglauros & Mercury. Europa & Jupiter. Cadmus & the Dragon. Semele & Jupiter.
Narcissus & Echo. Pentheus & Bacchus. Tyrrhenian Pirates & Bacchus. The Minyades. Pyramus & Thisbe.
Mars & Venus. Leucothea & Clytie. Athamas & Ino. Cadmus & Harmonia. Perseus & Atlas. Perseus & Andromeda. Perseus & Phineus.
Pyreneus & the Muses. The Pierides & the Muses.
Pluto & Proserpine. Arethusa & Alpheus. Triptolemus & Lyncus. Arachne & Minerva.
Leto & the Lycians. Tereus & Philomela. Orithyia & Boreas. Jason & Medea.
Medea & Aeson. Medea & Pelias.
Medea & Aegeus. Aeacus & the Myrmidones. Cephalus & Procris.
Minos & Scylla. Daedalus & Icarus. Calydonian Boar Hunt.
Althaea & Meleager. Perimela & Achelous.
Baucis & Philemon. Erysichthon & Mestra.
Hercules & Achelous. Nessus & Death of Hercules. Byblis & Caunus. Iphis & Ianthe. Orpheus & Eurydice.
Attis & Cybele. Hyacinthus & Apollo. The Propoetides. Myrrha & Cinyras. Atalanta & Hippomenes.
Death of Orpheus. Midas & Bacchus. Midas, Pan & Apollo. Peleus & Thetis.
Chione & Daedalion. Peleus & Psamathe. Ceyx & Halcyone.
Aesacus & Hesperia. Agamemnon at Aulis.
Cygnus & Achilles. Caeneus & the Centauromachy. Periclymenus & Hercules.
Death of Achilles. Ajax & Ulysses. Hecuba & Polymnestor. The Oenotrophi. Galatea & Polyphemus. Scylla & Circe. The Cercopes.
The Cumaean Sibyl. Ulysses, Polyphemus & Circe. Picus & Circe. Diomedes in Italy. Aeneas in Latium.
Vertumnus & Pomona. Iphis & Anaxarete.
Myscelus, Croton. Egeria, Hippolytus. Tages, Cipus. Aesculapius in Rome. Julius Caesar METAMORPHOSES BOOK 1, TRANSLATED BY BROOKES MORE INVOCATION1 My soul is wrought to sing of forms transformed to bodies new and strange!
Immortal Gods inspire my heart, for ye have changed yourselves and all things you have changed! Oh lead my song in smooth and measured strains, from olden days when earth began to this completed time!
CREATION OF THE COSMOS5 Before the ocean and the earth appeared—before the skies had overspread them all—the face of Nature in a vast expanse was naught but Chaos uniformly waste. It was a rude and undeveloped mass, that nothing made except a ponderous weight; and all discordant elements confused, were there congested in a shapeless heap.
As yet the sun afforded earth no light, nor did the moon renew her crescent horns; the earth was not suspended in the air exactly balanced by her heavy weight. Not far along the margin of the shores had Amphitrite stretched her lengthened arms,—for all the land was mixed with sea and air. The land was soft, the sea unfit to sail, the atmosphere opaque, to naught was given a proper form, in everything was strife, and all was mingled in a seething mass—with hot the cold parts strove, and wet with dry and soft with hard, and weight with empty void.21 But God, or kindly Nature, ended strife—he cut the land from skies, the sea from land, the heavens ethereal from material air; and when were all evolved from that dark mass he bound the fractious parts in tranquil peace. The fiery element of convex heaven leaped from the mass devoid of dragging weight, and chose the summit arch to which the air as next in quality was next in place.
The earth more dense attracted grosser parts and moved by gravity sank underneath; and last of all the wide surrounding waves in deeper channels rolled around the globe.32 And when this God—which one is yet unknown—had carved asunder that discordant mass, had thus reduced it to its elements, that every part should equally combine, when time began He rounded out the earth and moulded it to form a mighty globe. Then poured He forth the deeps and gave command that they should billow in the rapid winds, that they should compass every shore of earth. He also added fountains, pools and lakes, and bound with shelving banks the slanting streams, which partly are absorbed and partly join the boundless ocean. Thus received amid the wide expanse of uncontrolled waves, they beat the shores instead of crooked banks. At His command the boundless plains extend, the valleys are depressed, the woods are clothed in green, the stony mountains rise.
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Set in and around a large pool of water onstage, Metamorphoses juxtaposes the ancient and the contemporary in both language and image to reflect the variety and persistence of narrative in the face of inevitable change. Nominated for three 2002 Tony Awards, including 'Best Play,' Metamorphoses earned Zimmerman a Tony for 'Best Direction of a Play.' . Sales Rank: #123223 in Books. Color: Black. Brand: Brand: Northwestern University Press.
Published on: 2002-03-27. Original language: English. Number of items: 1. Dimensions: 9.00' h x.38' w x 6.00' l,.48 pounds.
Binding: Paperback. 120 pagesFeatures. Used Book in Good ConditionFrom Library JournalFirst performed by students at Northwestern University, where playwright Zimmerman is a professor of performance studies (she is also Manilow Resident Director at the Goodman Theater in Chicago), this play opened at Broadway's Circle on the Square Theater in March 2002. Based on Ovid's transformation myths, the play subtly mixes the ancient stories of pathos and tragedy with contemporary language, humor, and thought, all enacted in and around a large pool of water in the center of the stage. The themes of love, the inevitability of change, and the human ability to adapt to change are timeless, as is amply demonstrated by the sometimes eerie closeness of a vignette to the original lines from Ovid, which still manage to resonate with modern viewers.
The volume includes the script, a production history, and photographs from several productions. A valuable addition to either drama/ theater or mythology collections, this play by Zimmerman, who has also adapted and directed The Notebooks of Leonardo da Vinci, The Odyssey, The Arabian Nights, and others, is highly recommended for public, academic, and high school libraries.
Koenig, Ellis Sch., Pittsburgh Performing ArtsCopyright 2002 Reed Business Information, Inc.Review'Writer-director Mary Zimmerman's lovely, deeply affecting work. Recaptures the primal allure of the theater. It shows that theater can provide not just escape but sometimes a glimpse of the divine.' -Time'Funny one moment, achingly sorrowful the next, Metamorphoses somehow manages both to lift you out of the moment you're living in and speak to it with piercing directness.' -Wall Street Journal'With its emphases on love, loss and the transforming powers of memory and the imagination. The production has been reducing calloused New Yorkers to sobs.' —New York TimesFrom the PublisherMetamorphoses opened on Broadway on March 4th, 2002.
It has already sold 1,000 copies (as of 03/13/02). Zimmerman is well known in the Chicagoland area, due to her close association with the Lookingglass Theatre and Northwestern University. The book will be sold throughout the country, following the movement of the production. Metamorphoses' literature-into-drama approach gives the book a dual role in the marketplace, both as literature and as a script for performance. This is the first version of the play to appear in printed form.Time Magazine's 'Theater Event of the Year (2001)'Most helpful customer reviews0 of 0 people found the following review helpful.beauty in the best, most powerful senseBy Beth HoffmannI ordered this title in advance of seeing a revival of the original Zimmerman-directed production at the Arena Stage in Washington, D.C. Zimmerman is noted for the power of her theatrical environments, and so you'd think you'd.really. have to see it live to understand her pretty undeniable genius.
But this script is beautifully done, and the balance between dialogue and stage directions conveys the affect and atmosphere of the live event in a way I wasn't expecting. I would feel very confident teaching this play without my students being able to see a full, live production. Zimmerman is as much a wordsmith as she is a brilliant director. Whether you love theatre, or whether you love Greek mythology, this is a beautiful, emotionally profound rendering of Ovid's stories that manages to find light and contemporary resonance at the same time.
If you've never read or seen any of her works before, this is a great place to start. And although the text can't substitute for the live event, the reading experience is surprisingly satisfying. I'm an academic, so I'm supposed to assess value based on historical and conceptual significance as well as aesthetic success-but this is a play that moves me on a deep, human level. When you read or see Zimmerman's work, you think:.this. is what theatre can do. Read this play!0 of 0 people found the following review helpful.Fast delivery from seller, fantastic playBy Katherine E. KinnamanMy college recently put this play on and I was moved to tears no less than 3 times.
Ovid Metamorphoses Mary Innes Pdf Free Online
Reading the play is less moving, but I love to have Zimmerman's wonderful words and insights written down for easy reference. Some of my favorite scenes in this play involve Midas and his daughter, Cupid and Psyche, and Orpheus and Eurydice. And, of course, there is 'Let me die at the moment my love dies.' This lovely interpretation of some of the best of Greek mythology should be on everyone's bookshelf.0 of 0 people found the following review helpful.The Imaginarium of Mary ZimmermanBy dramagrammaDid this play with my high school drama group. We couldn't have the pool it calls for, but it hardly mattered: the treatment of the myths is often light and charming, the dialogue plays well and there is a wealth of emotional seriousness underlying it all.
Highly recommend to any drama group.